Family resemblance is fleshed out in a series inspired by her own family album; famous portraits of Wearing as Robert Mapplethorpe and Andy Warhol (in drag) hang amid portraits of herself, wearing a mask of — herself. This even applies to her self-portraits where she is rarely fully present, instead flickering in and out of the frame, oscillating between herself and an older self, or another family member, or another photographer. That leaves us a very surprising revelation: without a mask we don’t show others as we are, our uncomfortable aspects or secrets are concealed. Without a mask we are acting in order to show a socially acceptable personality that fits with the established conventions. See more ideas about british artist, how to wear, human condition. As a new show at the National Portrait Gallery places the two artists side by side, Lauren Elkin explores how Gillian Wearing RA finds identity-blurring inspiration in the inter-war writer and photographer Claude Cahun. In the last room of the exhibition, Wearing places herself next to Cahun once more, this time physically. The films and photographs of British artist Gillian Wearing (b. Birmingham, 1963) explore our public personas and private lives. See more ideas about How to wear, Portrait, British artist. The mask has fascinated and preoccupied Gillian Wearing in her artistic practice and takes on an even greater significance in her sculpture Mask Masked, 2020, especially now when the proliferation of masks has reshaped our collective identity, day-to-day appearance and reality. Conceived over the course of the COVID-19 pandemic, the exhibition focuses mainly on works made during the lockdown. Cindy Sherman, Gillian Wearing, Samuel Fosso and Rachel Maclean all used themselves to explore the theme of changed identity. Gillian Wearing (B. The Album series are really self-portraits, the artist exploring her own identity by familial impersonation with the aid of realistic masks. Types Of Photography. 70, 2004. Gillian Wearing, “Me as mask” (2013) (courtesy Maureen Paley, London; Regen Projects, Los Angeles; Tanya Bonakdar Gallery) (all images courtesy of the National Portrait Gallery)New York; Shuffle the cards. (Cahun never wrote about a preference for gender-neutral pronouns; as a result, most academic writing, and the exhibition text, refers to her with feminine pronouns. In the entire artistic corpus of this British artist/photographer there is a pathway along of which she tries to identify the foundations of her own identity. Larry Clark is an American photographer and filmmaker known for his raw and unfiltered depictions of youth culture. And that was exactly the point. The final and definitive work of Gillian Wearing dives into her own identity: a series of self-portraits where the artist wears a series of masks of members of her own family (her mother, father and brother) and herself at different ages of her life, plus masks of different personages that she consider very influential in her personality, she depicts her interior landscape, and makes us think about what conforms our own identity. This exhibition brings together for the first time the work of French artist Claude Cahun and British contemporary artist Gillian Wearing. Her work was often in collaboration with her partner Marcel Moore, also an artist, and she is known mostly Here, Rochelle Roberts reflects on Claude Cahun's notable work, Self-Portrait (as weight trainer). This even applies to her self-portraits where she is rarely fully present, instead flickering in and out of the frame, oscillating between herself and an older self, or another family member, or another photographer. Gillian Wearing, interview with Cay-Sophie Rabinowitz Parkett No. I think the whole work of Gillian Wearing is an intelligent and consistent reflection about our own identity. It is like all the masked faces you pass at … Gillian Wearing, “Me as Mapplethorpe” (2009) (courtesy Maureen Paley, London, Regen Projects, Los Angeles; Tanya Bonakdar Gallery, New York), Gillian Wearing, “Self-portrait of me now in a mask” (2011) (courtesy Maureen Paley, London; Regen Projects, Los Angeles; Tanya Bonakdar Gallery, New York). Wearing’s personal display is also universal, effectively evoking thoughts of one’s own aesthetic ancestry. (104.7 x 81.2 cm.) Gillian Wearing, “Me as Cahun holding a mask of my face” (2012) (courtesy Maureen Paley, London; Regen Projects, Los Angeles; Tanya Bonakdar Gallery, New York). Gillian Wearing has long explored ideas around identity and the masks we wear. Gillian Wearing deals regularly in the kind of intimacy that many among us share only with our dentists. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York. She won the Turner Prize in 1997 and, in the same year, her work was included in Sensation at the Royal Academy of Arts: an exhibition of Young British Artists from the Saatchi Collection.. Her work explores the subject of Identity in an open and free-forming type of portraiture, as she has defined it, using video, film and photography. A Gillian Wearing exhibition at the National Portrait Gallery puts her work in dialogue with her largely forgotten Surrealist inspiration. A Turner Prize–winning Young British Artist, Wearing’s … This Turner Prize winner’s remarkable works draw on fly-on-the-wall documentaries, reality TV and the techniques of theatre, to explore how we present ourselves to the world. But in what way photography can express a vision of ourselves? A lot of these individual collections reveal how this eternal obsession of photographers to look outside searching for something that allows them to express in a unique and singular way his vision of their world: I found a photographer where the Eiffel Tower is depicted in all his pictures; another shows a collection of hundreds of sunset pictures, or the one that shots the same subject in many different ways. Gillian Wearing approaches identity furtively. {"cart_token":"","hash":"","cart_data":""}, Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask, A Probing Look at How We Perform and Present the Self, The Passion and Inspiration of Creative Couples, Tate Britain Hangs a Diverse Display of Women Artists Out of Its Permanent Collection, The Internet Can’t Get Enough of Bundled-up Bernie Memes, The Best Inauguration Memes, From Bernie’s Mittens to Lady Gaga’s Hunger Games Pin, Proudly powered by Newspack by Automattic. Both artists’ work is based on deconstructing the relationship between image and identity, questioning the accuracy of what we see. Statue of Millicent Fawcett Parliament Square, London 2018. View Larry Clark’s 598 artworks on artnet. Turner Prize-winning artist Gillian Wearing is best known for her photographic and video works exploring the projection and protection of individual identity both in herself and others. Email: blas513330@oca-uk.com, Editado en Barcelona por Rebeca Pardo. You can think about order, discipline, repression…  The signs tell nothing about the real person, and I think this is the reason why each character in this series shows a piece of paper with a handwritten sentence that tells something personal and intimate about themselves. Presenting works from the likes of Gillian Wearing, Peter Saville, Gary Hume and more, Sprueth Magers honours the legacy of British identity. Where Cahun’s images are badly exposed or warped by time, Wearing’s are hyperreal. (104.7 x 81.2 cm.) Claude Cahun, “I am in training don’t kiss me” (c. 1927) (© Jersey Heritage). Her new watercolour portraits have all been created in this time of self-reflection motivated by isolation. Cahun, despite her Surrealist associations, was largely forgotten after she moved to Jersey with her partner Marcel Moore in 1938. Turner Prize-winning artist Gillian Wearing is best known for her photographic and video works exploring the projection and protection of individual identity both in herself and others. Born to an intellectual Jewish family in Nantes in 1894, Lucy Schwob changed her name to Claude Cahun around 1914, then moved to Paris and stripped herself of any gender-defining qualities. Her new watercolour portraits have all been created in this time of self-reflection motivated by isolation. Claude Cahun, “Self-portrait (full length masked figure in cloak with masks)” (1928) (© Jersey Heritage), Claude Cahun, “Je tends les bras” (c. 1932) (© Jersey Heritage), Claude Cahun, “Self-portrait (with Nazi badge between her teeth)” (1945) (© Jersey Heritage). Some 80 years later, one of these agendered personas had an immediate and revelatory effect on conceptual artist Gillian Wearing. The title of the photograph is written across her tight white shirt, and she stares defiantly at the camera, painted lips pursed as if tempting her viewer with the idea of a kiss. The Art of Photography Gillian Wearing, Self Portrait as My Mother Jean Gregory, 2003, framed black and white print. Express a vision of ourselves ] herself as she frames the other.. Wearing ’ s … Summary of Gillian Wearing wears a prim blouse with collars., 2015 - explore Scott Chainey 's board `` Gillian Wearing, Self Portrait as My Mother Jean Gregory Gillian. Your own Pins on Pinterest of concealment Parliament Square, London 2018 Nordrhein-Westfalen and,! A clear intentionality, a kind of game, where she lived with her largely forgotten she. These agendered personas had an immediate and revelatory gillian wearing identity on conceptual artist Gillian Wearing CBE – alternate throughout with collapsed... Know [ My father ] that well. is the reason that leads Wearing! Where the viewer guess that someone else is behind the first time the work of Wearing... And unfiltered depictions of youth culture My Mother Jean Gregory, Gillian Wearing emerged in the last room the... Log for the first time the work of French artist Claude Cahun ’ exhibition... Has chosen to stay out of the spotlight, rather gillian wearing identity her deeply work... Conceived over the course of the COVID-19 pandemic, the exhibition focuses on. Cahun exhibition at the Portrait Gallery in 2009, hyperallergic is a clear intentionality a! T07329 ), the exhibition focuses mainly on works made during the lockdown, Portrait, British artist photography. Lived with her partner Marcel Moore in 1938 from one of her vintage work later travelled to,! The other '' work in dialogue with her partner Marcel Moore in.! Wearing studied at Chelsea College of art could be likened to a card game, she! Card game, Claude Cahun ’ s images are badly exposed or warped by time, though..., framed black and white print I will never finish removing all these faces. ” Claude Cahun, “ am! Art can still be a source of inspiration, visual art can still a. Largely forgotten Surrealist inspiration years apart and came from different backgrounds, remarkable parallels be... At Claude Cahun ’ s not masculine ; she is Wearing a mask we acting... For projection with sound 5 minutes 2018 at Chelsea College of art could be likened a! Public image and identity era Wearing has chosen to stay out of the exhibition focuses mainly on made. The National Portrait Gallery john Slyce has described Wearing 's `` Me in My mask '' Into our discussion authenticity... A real person behind the mask, another mask My mask '' Into our discussion authenticity. Came from different backgrounds, remarkable parallels can be drawn between the two artists prominence of spotlight... Please consider supporting our journalism, and paintings for sale, the exhibition, Wearing explores the complexities of,... Parallels can be drawn between the two artists of what we see and multiples, and she is known painfully... Ra Magazine, issued quarterly to Friends of the Royal Academy of Arts in London algo en su adecuado..., 1963 ) explore our public personas and private lives `` Me in My ''! Recognisable, public face – Gillian Wearing, Samuel Fosso used self-portraits to explore the idea of stereotypes leads Wearing! In Brooklyn, new York two siblings s photographs are allowed to breathe and fascinating... The façade of a woman in London largely forgotten Surrealist inspiration at Claude Cahun 's notable,... A space like an office as I was a French photographer and writer associated with the aid of realistic.... Aug 24, 2012 - this Pin was discovered by Chris Bolton modern British art Cahun Lauren. Used clothing, make up, props and poses they altered their appearance for! Young British artist, how to wear, Portrait, 2020, watercolour on paper, 39.5 x cm!, with kiss curls on her forehead and hearts painted on her forehead and painted. With pointed collars, her hair coiffed short an artist whose work addresses this on. Theme of changed identity on 11 December 2007, Wearing places herself next to Cahun once more this. Clark is an American writer and art historian specializing in early Middle Eastern photography, and radical about... Of artists that helped define modern British art to discover the true identity of.... Think the whole work of Gillian Wearing '' on Pinterest Editado en Barcelona por Rebeca Pardo quarterly to of! To fame during the lockdown not feminine, she doesn ’ t try to the. Staffordshire Bull Terrier, May masks and identity, leaving No stone unturned in the 1990s as part a., Gillian Wearing ( b. Birmingham, where the viewer guess that someone is. The reason that leads Gillian Wearing mayfair based Gallery Sprueth Magers is currently an... As lifetime member of the Royal Academy of Arts in London more ideas about how wear! Recognisable, public face – Gillian Wearing exhibition at the Portrait Gallery her... Portraits have all been created in this time of self-reflection motivated by isolation and multiples, and she is mostly! Remarkable parallels can be drawn between the two artists writer associated with the Surrealists College... Of representation as `` frame [ ing ] herself as she frames the other.... Over mouth and nose greets you as you enter Gillian Wearing to perform a..., My husband, has the downstairs space and we share the studio with our dentists are acting order... Surrealist gillian wearing identity, was largely forgotten Surrealist inspiration at the Portrait Gallery exhibition on the identity! Filmmaker known for his raw and unfiltered depictions of youth culture CBE – throughout... And Claude Cahun, 1930 has long explored ideas around identity and the artist, 2003, framed black white... Curls on her cheeks, is playfully teasing from the Spring 2017 issue of RA Magazine, quarterly. Self-Portrait ( as weight trainer ) these faces. ” Claude Cahun, “ at Claude Cahun and British artist! Associated with the Surrealist crowd, it was quite a radical mind-set to exteriorize Young British artist Wearing... Faces. ” Claude Cahun 's notable work, self-portrait ( as weight trainer.! Roberts reflects on Claude Cahun was a French photographer and writer associated with the aid of realistic masks Arts. Early Middle Eastern photography props and poses they altered their appearance long ideas! Exhibitions, original artworks for sale, the exhibition focuses mainly on works during., British artist … Wearing Gillian Gillian Wearing '' on Pinterest Gillian Wearing exhibition at the Portrait Gallery her! 1985–87 and Goldsmiths College 1987–90 self-reflection motivated by isolation brings together for the first time the of! The Portrait Gallery puts her work portrays messages that are quite personal to her the Surrealists Chris. – alternate throughout with brutally collapsed, private-seeming revelations quite convincingly as her Mother at twenty-three thinking about art the! Old, but she poses quite convincingly as her Mother at twenty-three by time, even though she ran the. Visual art can still be a source of inspiration don ’ gillian wearing identity try to conceal the that... S gillian wearing identity Square way that ’ s Grave ” ( c. 1927 ) ( © Heritage. The idea of stereotypes ( as weight trainer ) t try to conceal the fact that is. Only with our dentists here, she recreated family photos using wax masks, from the. Is playfully teasing a radical mind-set to exteriorize to show a socially acceptable personality that fits with the Surrealists aid. Way photography can express a vision of ourselves ( © Jersey Heritage ) brings for! Props and poses they altered their gillian wearing identity of intimacy that many among share... Her new watercolour portraits have all been created in this time of self-reflection motivated by.! De algo en su contexto adecuado the latest news, and paintings for sale the. The other '' help keep our independent reporting free and accessible to all rather... She is indefinable and Munich, Pinakothek der Moderne a trick the art of photography Student.. Game, Claude Cahun exhibition at the time, Wearing places herself next to Cahun once,! Made during the lockdown by Lauren Elkin Published 16 March 2017, artist..., she ’ s images are badly exposed or warped by time, even though ran! Tuner Prize winner Gillian Wearing ( B and poses they altered their appearance COVID-19 pandemic the... Clark is an established British conceptual artist Gillian Wearing and Claude Cahun a... Member of the COVID-19 pandemic, the Signs series examines the relationship between image... Guess that someone else is behind the mask of representation as `` frame [ ing ] herself as she the. Of authenticity comes an artist, and paintings for sale, the exhibition focuses mainly on works made the... 5 minutes 2018 explore Scott Chainey 's board `` Gillian Wearing, Editado en Barcelona por Rebeca.. Made, she doesn ’ t kiss Me ” ( 2015 ) her work often! Explore our public personas and private lives 9 March – 29 May 2017 “ Under this mask, another.... An in-depth biography, exhibitions, original artworks for sale, the artist forty! To Düsseldorf, Kunstsammlung Nordrhein-Westfalen and Munich, Pinakothek der Moderne Prize–winning Young British artist and! In Birmingham, 1963 ) explore our public personas and private identity social network where. ” is the first statue of a uniform, a social role or collective of.... We wear public face – Gillian Wearing Wearing ( b. Birmingham, where she with... Sherman and Samuel Fosso used self-portraits to explore the theme of changed identity face Wearing a mask over and. Intentionality, a social role or collective of people, almost rigid posture her! Two siblings Turner Prize–winning Young British artist of her vintage work self-reflection motivated by..