Over nearly half a century, leading painter Marlene Dumas has used her portraiture-centred practice to investigate emotion and interrogate preconceptions around notions of class, gender, sexuality, and race. Dumas was born in 1953 in Cape Town, South Africa and grew up in Kuils River in the Western Cape, where her father had a vineyard. Questioning her own identity, Dumas places herself with humility as a potential perpetrator of evil acts and glances at the viewer as if saying: It could have been me, it could have been you. The tension between our fears of appearing racist and our fears of potential danger has become a modern-day reality and Dumas' ability to emphasize this marks a key component of her artistic genius. She appears inviting to, and deriding of, the viewer simultaneously. 10, 28 and 46 (illustrated). Her artwork consistently explores constructions of identity … Dumas cropped the image to depict a section absent of soldiers. These men could very well be Israelis raising their arms in prayer in front of the iconic Wailing Wall, as the viewer is led on by the work's title in direct juxtaposition to its original source material. Marlene Dumas ’s work was on view as part of the fourth edition of the Kochi-Muziris Biennale in Kochi, India. Artworks. At the same time, she pays homage to her daughter - a mother's source of everything from life and death, fear and glory, happiness and sadness. The show presented a new series of works by Dumas on the theme of the Israel-Palestinian conflict. This shifting and mirroring effect suggests that the two nations' religious fanaticism, suffering, anger, and plight are connected and the same. I am a good example of everything that is wrong with my time. Today, she is considered one of the most influential and iconic artists of the 21 st century for her intimate, and yet estranged figurative portraits that explore the complexities of identity, and also for her politically-charged social art. While planning a retrospective of the work of Marlene Dumas, The Image As Burden, one painting sharply divided staff at Amsterdam’s Stedelijk Museum: those who loved it, and those who didn’t want it in the building.The Neighbour—Dumas’s gentle portrayal of the murderer referred to in the Dutch press as Mohammed B, who killed film director Theo van Gogh in broad … Dumas in the painting does not seem as light but much more thoughtful. Events. Marlene Dumas was born on August 3, 1953, in the Capital of South Africa, Cape Town. Biography. Art historian Emma Bedford notes, "luscious paint alternates with minimalist application and empty ground" and adds about the openly displayed anus, "the focus of so much desire and taboo, [is] deliciously - and humorously - accentuated with a stroke of gold." This gap between the image and the word takes the painting to another dimension. Oil on canvas - Museum of Modern Art, New York. Double Takes. The work is derived from a photograph of Israeli soldiers searching Palestinian men in front of a wall. This exhibition of the work of the acclaimed painter Marlene Dumas, the first of its scale to be mounted in the United States, is organized by The Museum of Contemporary Art, Los Angeles, in association with The Museum of Modern Art. In this painting, a group of men are seen from behind, in front of a wall, raising their arms. It has the screen-print look … By playing with perspective and the proportionality of these figures, Dumas highlights only what is most … Under this new light, the portrait here tends to be interpreted differently. Over the past four decades, she has continuously probed the complexities of identity and representation in her work. In it, the little boy also seems angry and threatening as he holds a grenade in his hand, yet he was merely growing impatient with the photographer and only wanted to return to his toys. She is naked and eerily luminous with translucent flesh. The artist Marlene Dumas Born Aug 3 1953, Kuilsrivier, South Africa. Young Boys, 1993. Oil on canvas - Van Abbemuseum, Eindhoven, The Netherlands. The upper part of the body is bluish while the rest is yellow to white; the face is even paler. The artist herself, talking about this work, commented on the ambiguity of childhood with its cruelty and naiveté. It is probably the artist's attention to the medium of watercolor that makes it so special. These unidentified man, whichever side they are on, are sharing the same human experience. Marlene Dumas is a South African artist and painter living and working in Amsterdam. However, this erotic painting is part of a series related to the theme of death where Dumas paints close-ups of dead bodies. Through this sly process of elimination, Dumas gives her subjects anonymity and changes the picture's meaning. With an oeuvre of haunting portraiture that depicts the artist’s friends, models, and prominent political figures, Dumas consistently explores themes of sexuality, political oppression, … This very controversial image was taken down in the Netherlands and is part of the Man Kind series, one of Dumas' most political series. The title tells the viewer that the subject is a woman. With Jen, Dumas crosses the thin line between sex and death. This is the official web site for the Mount Tahoma High School Class of 1967 The nipple accentuated by a touch of red on white skin offers a sexual overlay to the intended meaning of the film, which is meant to celebrate the human body. She studied psychology at the University of Amsterdamin 1979 and 1980. Gallery Marlene Dumas (1953-) | All 25 Artworks | Artworks + 1 (707) 877-4321 + 33 977-198-888 . In the past Dumas produced paintings, collages, drawings, prints and installations. Marlene Dumas is widely regarded as one of the most influential Modern painters working today. The bright self-portrait contrasts dramatically with its title, which refers to Hanna Arendt's controversial report on Nazi bureaucracy and the chilling normality of evil. The body here may indeed be a corpse. Dumas' oeuvre is marked by an aesthetic dreaminess derived through the masterful use of creamy oils and watercolor with a decidedly muted application. Dumas cropped the image to depict a section absent of soldiers. Biography. Her figurative paintings often depict nude bodies engaged in amorous acts, some of them erotic, some disconcerting. This large painting was first exhibited in 2010 in the exhibition Against the Wall at the David Zwirner Gallery in New York. Here, out of its original context, the image is highly provocative and ambiguous. In collaboration with Anton Corbjin, Marlene ventured onto the journey of depicting prostitutes from the famous Red Light District. Dumas joined other South African artists engaged actively in diverse forms of political, social and cultural critique and resistance. Marlene Dumas moved to Amsterdam in 1976, where she has lived and worked since. Ink wash, watercolor, and metallic acrylic on paper - De Pont Stichting, Tilburg, The Netherlands. Widely known for the gestural quality and austerity of her oil and watercolor paintings, Marlene Dumas’s work confronts difficult themes from pornography to segregation. In 1995 she represented Holland in the Venice Biennale, and in 1996 the Tate Gallery exhibited a selection of her works on paper. The daring art of Marlene Dumas: duct-tape, pot bellies and Bin Laden Rachel Cooke Her work has held the record for being the most expensive by a living female artist. Malmö, Konsthall and Turin, Castello di Rivoli, The Particularity of Being Human: Marlene Dumas/Francis Bacon, March-October 1995, pp. The wall transfers from a place of potential execution or arrest, becoming reminiscent of the most sacred holy site in the old city of Jerusalem. The exhibition includes approximately seventy paintings and thirty-five drawings, providing a comprehensive examination of the work of one … Night Nurse is one of those images. Dumas combines the imagery of popular culture and recent news with the religious and biblical subjects typical to old master paintings, such as those referred to by the title of her 1996 series entitled Magdalena (T07201 – T07206). Artworks See all 3 artworks › Albino, 1986 Marlene Dumas; After Photography, 2003 Marlene Dumas; Ecco Pier Paolo Pasolini, 1988 Marlene Dumas; Explore Further. Like most of Dumas' works, Jen is based on a third source, this time a still from the 1970 film Fly by fellow female artist Yoko Ono. Lives and works in Amsterdam, Netherlands. With an oeuvre of haunting portraiture that depicts the artist’s friends, models, and prominent political figures, Dumas consistently explores themes of sexuality, political oppression, identity, and … Dealers. Website of Marlene Dumas. At the same time, this death portrait also relates to the common motif of the memento mori with its still life images that loom as reminders of our common mortality. Marlene Dumas’s painting Drop (2018) is a close-up portrayal of a woman. In the series, we can find several other works of women in the same unexpected and insolent position but the work Dorothy D-Lite is one of the most appreciated. Dec 14, 2008–Feb 16, 2009. Dumas clearly draws a parallel between the Nazi regime and the policies and practices of the apartheid. The girl seems angry as she stares petulantly toward the viewer. Widely known for the gestural quality and austerity of her oil and watercolor paintings, Marlene Dumas’s work confronts difficult themes from pornography to segregation. The piece brings to mind the great painter Egon Schiele's erotic works, as like his women, the one here deliberately provokes her audience by unabashedly owning her profession within the artist's poignant gaze. Marlene Dumas | artnet | Page 2. This painting is based on a photograph of the artist looking over her shoulder. Shortly put, the daring work of Marlene Dumas is easily some of the most exciting stuff that the art scene has seen for quite some time. Biography. Dumas began painting in 1973 and showed her political concerns and reflections on her identity as a white woman of Afrikaans descent in South Africa. In Young Boys, Marlene Dumas’s line-up of ghostly lads is stark and oppressed against the ominous background, trailing off in the distance into mere sketchy traces of suggestion. Marlene Dumas is a contemporary South African painter, whose figurative works have earned her a place among the most influential painters of the 20th and 21st centuries. She studied art at the University of Cape Town from 1972 to 1975, and then at Ateliers '63 in Haarlem, which is now located in Amsterdam. She becomes the artist, the source, and the genius. In it lies the unconscious suspicion relayed by media and populist groups that all Arab bearded men in Europe are potential terrorists. The feet are not finished but broadly sketched. On the day of the crime, motivated by fundamentalist religious beliefs, Bouyeri who was then 26, shot van Gogh several times, and then tried to cut his throat and decapitate him with a large knife before stabbing him in his chest. Marlene Dumas b 1953, South Africa.. A parallel can be drawn with Diane Arbus' famous photograph Child with a toy hand grenade in Central Park, NYC (1962). She began her career with paintings, collages, prints, installations and collages. Accomplishments . The work is part of the MD-light series based on personal snapshots of prostitutes from the famous Red-Light district in Amsterdam. By taking her entirely out of her original context, Dumas deceives the viewer and makes him/her look at her child in a very distinctive way. In the same series, Dumas also painted a portrait that resembles Osama Bin Laden entitled The Pilgrim. However, this portrait is based on a well-known newspaper photograph of Mohammed Bouyeri, convicted in 2004 for the murder of Dutch filmmaker and journalist Theo van Gogh. Her eyes are closed and she seems to be asleep. ‘Naomi’ (1995) is an intriguing painting, half beckoning, half shy. Zeno X, Antwerp, Belgium. The piece becomes a symbol of universal suffering instead of a symbol of an individual conflict or war. In the mid 1980s, when she finished this painting, apartheid was at its height. The menacing little girl suddenly becomes a powerful force of creation. View Marlene Dumas’s 1,000 artworks on artnet. A nude woman stands, bent over double, her rear and genitals exposed as if in offering. She now works mainly with oil on canvas and ink on paper. She currently live… "Marlene Dumas Artist Overview and Analysis". Dumas invited some of the ladies into her studio and took Polaroids for source material. She is in her forties, smiling, with long, flamboyant orange hair. Marlene Dumas was born in Cape Town, South Africa in 1953. Most Similar 20th Century Drawings (visual works) South Africa 1953– More More options. Marlene Dumas is a contemporary South African painter, whose figurative works have earned her a place among the most influential painters of the 20th and 21st centuries. Today, The Neighbor is said to be the most famous work by Dumas in the Netherlands. Yet, with nothing to clearly identify the portrait as a real criminal, we realize he could simply be another of our "neighbors." Marlene Dumas mainly creates with oil on canvas and ink on paper now. Her nudity gives her a barbarous air and she has been sometimes described as "an evil force of destruction." South African artist Marlene Dumas is considered one of the most significant contemporary artists, whose intense, emotionally charged paintings address existentialist themes and political issues. 100/101 2017 He looks rather calm and peaceful. She looks behind her, to where she comes from, with an ironic smile. This jarring portrait presents a little girl, larger than life at over six feet tall. ©2021 The Art Story Foundation. This extraordinary artist, famous for her figurative work, started her life in the wine farmlands of the Southern Cape. After beginning her art degree at the University of Cape Town, she decided to continue her studies in the Netherlands: the country where she’d build her career as an artist, and still lives today. Home Artists Artworks Buy About us Buy 10 prints and get 10% + 20% off on all items. 10% off on all your cart items, sitewide! Marlene DUMAS (1953) (South africa) is an artist born in 1953 The oldest auction result ever registered on the website for an artwork by this artist is a drawing-watercolor sold in 1988, at Sotheby's , and the most recent auction result is a print-multiple sold in 2020. When it was exhibited together with The Neighbor at the Galerie Paul Andriesse in Amsterdam for the first time, the two works were notably shown in the gallery office and not in the exhibition space. Attending Michaelis Art School in the 1970’s, she graduated with a degree in Fine Art. As a white person in South Africa, using self-portrait is a strong political statement, which makes the painting even more powerful. Through the image of an angry and fearful monster-like little girl, Dumas powerfully and emotionally paints about love and motherhood. Style and technique of the artist: Painting, Drawing, Rolf Schock Prize, Marlene Dumasartworks on eBay Original artworks, prints, exhibition posters, monographs, books, collectibles. 105, 107 and 145 (illustrated in color). Marlene Dumas was born in Cape Town, South Africa, and raised on her family’s vineyard in the countryside. The picture depicts an ordinary young bearded man, likely of North-African descent, who could be anyone's neighbor as the title suggests. All Rights Reserved. 27 May – 25 July 2020 & 2 September – 10 October 2020 Working almost exclusively from photographic sources, Dumas draws her subject material from an ever-developing archive of personal snapshots, Polaroid photographs, and thousands of images taken from various print media sources. This courageous work raises questions surrounding fear and manipulation on all levels. The artwork is a prime example of Dumas’ style, both in content and in form. Oil on canvas - Stedelijk Museum, Amsterdam. Dumas' gesture also shows the power of images used to manipulate us by the press and media, especially during armed conflicts. By playing with perspective and the proportionality of these figures, Dumas highlights only what is most important—the expression, the point of contact, the epicenter of emotion. The brutal assassination caused great social turmoil in the Netherlands, increasing feelings of fear, xenophobia, and Islamophobia. Helena has commented about this work that it is one of the best paintings her mother has ever done. Through this sly process of elimination, Dumas gives her subjects anonymity and changes the picture's meaning. Her images speak more than any words ever could. Using as her starting point photographs from her personal collection and the print media, Dumas recreates them in grays and browns, a palette well suited for her 2010 exhibition "Against the Wall" at David Zwirner, in which she captures with characteristic starkness the Israeli-Palestinian conflict. Kunsthalle Bern, Marlene Dumas: The Question of Human Pink, July-August 1989, p. 24 (illustrated in color). I have come to show the disease symptoms of my time. Her skin has a faint blue tinge, and concentric rings surround her head, suggesting an aura or halo. Kochi, India. Find artworks by Marlene Dumas (South African, 1953) on MutualArt and find more works from galleries, museums and auction houses worldwide. It is nearly impossible to look away from this languid lady who invites us to confront our own social norms and sexual taboos, so prevalent in society. By removing the comfort of context, she shows how easy it is for us to be influenced by imagery. The striking portrait is based on a snapshot of Dumas' own daughter, Helena, who was simply finger painting on a hot summer day. Indeed, the informal qualities of the body rendering make the work even more sensual and seductive. London, Tate Gallery, Art from Europe, April-June 1987, pp. Marlene Dumas is a contemporary South African painter, whose figurative works have earned her a place among the most influential painters of the 20th and 21st centuries. (Marlene Dumas, Century 87: Today's Art Face to face with Amsterdam's Past exh. Marlene Dumas – The Image As Burden exhibition – Image via theguardian.com From Cape Town to Amsterdam. The experimental video, shot in extreme close-up, follows a fly as it explores the naked body of a sleeping actress named Virginia Lust. Her figurative paintings often depict nude bodies engaged in amorous acts, some of them erotic, some disconcerting. Widely known for the gestural quality and austerity of her oil and watercolor paintings, Marlene Dumas’s work confronts difficult themes from pornography to segregation. Marlene Dumas Art Is/Always/Having to Say/Goodbye (for Parkett, no. Her light blue eyes are fixed on something outside the work, and her chin rests on her hand. Find an in-depth biography, exhibitions, original artworks for … News. Dumas' Jen, with her eyes closed, might indeed be celebrating her own sexual pleasure as well. Marlene Dumas. The generalizing title of "The Painter" adds another layer to consider. A recent series of twenty small-scale watercolors collectively titled Vocabulary (2018) is inspired by the eroticism of Indian miniature paintings. She has commented about this portrait: I have not come to propagate freedom. Through this touch of humor, Dumas seems to restore a kind of humanity and vulnerability to her subject. Her figurative paintings often depict nude bodies engaged in amorous acts, some of them erotic, some disconcerting. The work is derived from a photograph of Israeli soldiers searching Palestinian men in front of a wall. Dumas plays with the iconic, romantic representation of a painter with a bit of humor. Marlene Dumas | 25 Artworks | Artworks | WahooArt.com. Her hands are blue and red, covered with something that could easily be identified as blood. [Internet]. Marlene Dumas, ‘Naomi’ (1995), oil on canvas, 130 x 110 cm, De Heus-Zomer Collection | Photo Peter Cox, Courtesy Stedelijk Museum, Amsterdam, and Marlene Dumas. Oil on Canvas. Know someone who would find this article interesting? The Kiss, 2003. Limited-Edition Prints by Leading Artists. Content compiled and written by Pich-Chenda Sar, Edited and revised, with Summary and Accomplishments added by Kimberly Nichols. Dumas is acclaimed as one … Marlene Dumas paintings bloom where words perish. 100 x 300cm. Depicting creatures including a snake, a snail, a bird, and a cricket, human features such as an eye and lips, kissing figures, and a body … By using such an enlarged image of the face, the artist deviates from the traditional representation of death and focuses on the obscenity of the flesh. cat., Schuttersgalerij, Amsterdam Historical Museum, Amsterdam, 1987, p.111). 100/101) 2017 Various Artists, Nairy Baghramian, Sophie Calle, Maurizio Cattelan, Marlene Dumas, Katharina Fritsch, Katharina Grosse, Marilyn Minter, Jean-Luc Mylayne, Nicolas Party, Pipilotti Rist, Jordan Wolfson Parkett no. She attended the University of Amsterdam studying painting and psychology and began her painting with heads and figures. This contrast between violence and innocence would mark much of Dumas' work. Again, she humbles herself by positioning herself in the role of the manipulator. Marlene Dumas South African, born 1953 About this artwork Since the early 1980s, Marlene Dumas has created figurative paintings and ink-wash drawings that raise provocative questions about gender, beauty, sexuality, race, and the resultant conditions of oppression and violence. Represented by internationally reputable galleries. She seems to be interpreted differently oeuvre is marked by an aesthetic dreaminess derived the... Famous work by Dumas in the Netherlands the theme of the Israel-Palestinian conflict cruelty naiveté... On her hand the word takes the painting does not seem as light but much more.! 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